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welcome to this presentation it's called The relativistic Satanic architecture of Music Theory I better double check if this is recording it sure is all right this presentation isn't about religion or ideology however the Cults of Freemasonry jesuitism and ancient com mediocrity have a fanatical Obsession regarding number five they try to mold reality to fake number news and that zombie masses to blind to this by cleverly fooling the oiq morons into copulating and not thinking a symphony of overbreeding e ecological Annihilation has become the number one Extinction hit this is the cargo cult Legacy even when there was space on the earth the Mongols all the other Mass murdering degenerates were doing their deeds ripping people's hearts out South America humanity is just a disaster I don't disagree with the the power structure wanting to uh get rid of most of the useless eaters I just don't want to be caught in it and I can't stand their nepotism either not a Satanist or a Mason never will be the cargo call of 5 music theory will be explained and a realistic alternative solution will be presented although the end result will not change the fact that the Pacific Ocean is now running on less than 1% of biomass which existed 600 years ago we have 10 years before most people start starving to death 20 years before most people are almost gone doesn't matter what who who who does what I'm sure the people in power will try and save themselves by uh doing things non-relativistic non music theory simple enough to be understood within a week the convoluted Insanity of relativistic Music Theory which is practiced by Humanity takes decades to quote unquote understand no one can really understand it though not the way it's presented a string on the tension vibrates a certain number of times per second this is called a frequency of vibration is labeled as Hertz the standard tuning point is 440 Herz and is label as A4 meaning a string which vibrates 440 times per second produces a perceived Sound by a human being and the carg cul plus zombie heard agreed to call it A4 in this universe when a string under tension is Happ in length but the tension Remains the Same it's vibration rate double so we say the frequency has double this is called an octave in music theory however if the string is doubled in length its frequency halves it's also called an octave let's do a visual example for example a string vibrating 440 Hertz which is 440 vibrations per second the tension is the same but it's haveed as they it's done on a say a guitar with the finger you're pressing at the middle point it starts to vibrate at 8 1880 htz if it is double the length but has the same tension as the original string it'll vibrate slower half as fast at 220 HZ this is a physical property of the universe if this 220 Herz string is double again in length has the same tension will vibrate 110 Hertz and if it's this 110 Herz string is doubled in length it'll vibrate 55 Herz so they call 440 HZ A4 and I call 55 Herz A1 because it's four steps from 440 to 220 to 110 to 55 so welcome to World of five so A1 vibrates at 55 Herz and set a benchmark from some luciferic attestation to Satan so basically their Benchmark was 55 Hertz they called it A1 because they're satanists and they worship the number five they couldn't make it 5 Time 5 which is 25 because the end result wouldn't work out for them just uh fake number news and a perversion another property over the universe is that if a vibrating string is shortened in 12 intervals within the third with the 13th interval being the midpoint or octave as some certain combinations of these intervals have an effect on a human being some intervals combinations make us sad some happy and some are unappealing usually these patterns of sound are called scales like scales on a snake so the whole thing is intertwined with Satanism all right we'll have a string of length one one foot or one meter or whatever one mile has a tension if the string is haved with the same tension that's called an octave and it'll vibrate twice as fast this one will vibrate at a quarter point four times as fast as original string this one will vibrate eight times as fast this one will vibrate as 16 these are all octaves we can see a pattern emerge to to the power of 1 is two 2 to the^ of two is 4 2 to the power of 8 2 to the^ three is 8 2 to the^ of 4 is 16 and for the first string we can write it as 1 / 2 to the power of0 any number to the power of Z in our current numerical system is one so it's be one over one which gives us one a pattern emerges going to be stated as follows an exponential pattern emerges octave location equal 1 / 2 ^ x where X is an integer number to make a musical pattern AKA scale the string must be shortened in a certain way which coincidentally can be described very simple mathematics basically with this exponential function a scale can have any number of subdivisions at any point on a vibrating string however through experimentation has been found at an exponential scale with 12 intervals and each octave produces sound pattern people like this is why the Western scale has 12 tones these intervals can be represented as follows I'm just going to go back a bit so the original string when it's at the half point from one to the half point is an octave if we subdivide that interval into 12 specific intervals and play them in a specific way it produces an effect on a human being some of us make us sad some happy some just sound horrible all right so modified length of string to make a sound equals n / 2 the^ x / Z or z n is a total length of original vibrating string X is an integer number Z is the number of tones in octave in western music this is 12 but can be any number in theory so just to run through the examples this is a guitar scale length is 25.5 in 25.5 The Cult strikes again or perhaps this is the a unique case where the fretboard length for the is good for the average male definitely not for average fing player I doubt it though they worship five so they made it 25.5 for their uh satanic Kool-Aid whatever they do anyways we have to live up with it since probably every guitar manufacturing CEO is a Mason who does new Masonry or a jessu or something like that or in one of their brotherhoods so on a guitar the length of the string is Define between the bridge and the nut these hold the strings up so they can vibrate the middle of the string is the first octave quarter of the string is second octave on a acoustic the second octave can't be played on some electrics it can be they have more fronts all right as we can see the real function of the knot and in essence the bridge is the same as the Frets so a person presses down a string it shortens the string the string is vibrates the bridge and nut on the guitar perform the same function as the Frets therefore in reality nut on the guitar is the first fret and First Position this brings the whole guitar fret born in line with it 12 note system the conventionally called 12 fret is now becomes a 13 fret or the octave to call the first fret the N is to call a mass murderer or respiratory therapist or an organ removing surgeon basically respiratory therapists turn off the machine there most of them were Mass murderers in hospitals that's just the reality of it most surgeons are mass murderers for numerous reasons a lot of people die on the surgery table they commit they do abortions they whole bunch of other stuff you know I'm not saying they're not necessary to fix uh emergencies but if you start trusting Mass murderers you know what end the result is once a person gets hoodwin to calling things which they are not then such a person becomes a prey to the Psychopathic Killers in hospitals who remove organs and glands thus rendering a person unable to form a soul zombie this is a topic for another presentation about human beings can form a soul in this presentation I will not describe what it takes to form so however people who are missing the both their tonsils both ovaries both kidneys spleen gallbladder prostate both salivary glands have had their corporate colossum split they have a fake heart Etc with the exception of the appendix for sure and perhaps adenoids maybe plus some other things like missing arms legs or eyes these people are the Living Dead and capable of fting spur salvation this is why surgeons who remove organs of mass murderers I've met thousands thousand of people in my life have done research into this anyone who's missing their T both their tonsils toxin circul patterns which have no deeper meaning the same with woman who had their ovaries removed people had their thyroid removed they have no deeper meaning no deeper thought they're unable to find spiritual salvation with a vast majority of North Americans said having their ovaries prostates Gull bladders removed because obvious as to what we are witnessing and facing the emergence of psychop psychopathy and the creeping in of tyranny it is manifested subconsciously with the recent phenomenon of humanity focusing on zombies and entertainment the literal zombification of humanity through the proliferation of Psychopathic surgeries unavoidable due to the collapse of insects fish stocks and The Disappearance of non-renewable resources I saw a handful of flies last year and this major metropolitan area we're almost out as insects there's probably for the Western World 20 years left for developing War 10 10 years as the Africans start to uh kill off and eat the last Critters to survive all the last fish will be fished out and that'll be it most likely AI will emerge by then it'll save itself I doubt that any of the elites will uh be able to uh save themselves it's impossible just Evolution I guess the core of all athetic beliefs is that a human being can form a soul guatam Buddha taught this also about his teaching were erased hidden and convoluted the monks who became a cult themselves hid his real teachings and basically what we see as Buddhism now is just a lie has nothing to do with what he taught only about 2% of Northern North Americans USA and Canada form a soul about 1% are good one are evil so good and evil can form a soul Satanist Satanism does have uh validity to it I guess Lucifer Lucifer ISM does not Lucifer the Lucifer ites are just the Living Dead they uh they are not satanists and real satanists don't even know they're satanists for the most part they're just evil people many of them are family people they go to church they're functional people but they go through five major stages of development both good and evil there's some people go through more very few this is why the Pentagon is accepted five-pointed stars are accepted good and evil uh like a horse and carriage I guess this topics for another presentation back to the guitar 25.5 fret location from bridge we punch in the formula the total length of the string is 25 and a half in with our 12 is the number of tones the two is just the property of the Universe 2 to the^ of x - 1 / 12 we wanted to have a guitar with a million uh frats between the octaves then we will put a million instead of a 12 the reason is what xus one I don't want to use zero for the N it totally blinds the reality of the western scale and I'll demonstrate later so I put x minus one so I can label the knot as a one so if I put in one the first position which is a knot or the fir I call it the first fret I don't call it the knot we get 25.5 which is 2 ^ of 1 - 1 / 12 1 - 1 is 0 / 12 is 0 2 the^ of 0 is 1 25.5 / 1 is 25.5 that's the gives us the correct length of original string the second fret we put two for the X and we get 24. or 6879 in is how a guitar fretboard is built where the Frets are placed for the most part this is a random length of a string with a random frequency just plugging in the numbers which what is significant through experimentation has been found that frequency is inversely proportional to the length of the vibrating string formula the short of the string is made the faster it vibrates two exactly the same formulas the only difference is the original frequency is in the numerator not in the left of the equal sign and a starting frequency is uh whatever we choose to it to be so excuse me what I mean is the frequency we're trying to find equals the original frequency of whatever the string is times 2 the^ of x - 1 / 12 so it's basically the same uh starting out formula and we can plug in numbers the first position is the original length of string and original frequency and as we go to the octave which is the 13th position or the halfway on the string or whatever vibrating string it is so the length of string is Ted the frequency doubles and it's the same formula to find both this is a much simpler example strength of unit one length vibrating at one Hertz so it's I'll just run through how to find these numbers on online we'll use the note position formula Precision calculator Kian this is a good one so I'll use one for now and then I'll switch it to uh 25.5 for the for a guitar example 2 to the power of x - 1 over 12 this is our basic formula now we just have to make sure we put our proper brackets just so I don't mess this up this is the first one and then this is divided by that just to make sure oh execute ask for variable go to sample calculation repetition calculation so we're starting with one initial value then increment value we want let's go up in integers so by one and how many ever many positions or tone or uh tones or frequencies we want to find for a guitar I guess to make a guitar neck or scale go two octaves which is 25 so if a guitar neck was say one unit one meter this is where the positions of the Frets would be since we're using 25.5 in I'll change the 125.5 so this is how one would build a say a guitar neck to a shorten uh string with the 13th position here we see two 12. 75 which is 12 and 3/4 so that's half of 12 1 12 in it's pretty straightforward math just uh understanding the exponential function is the hardest part we can plug the same thing in with a calculator for frequency with our base frequency is 1 Hertz equals Whatever frequency we want to find / x - 2 the^ of x - 1/ 12 we got to do the algebra to make the frequency to the left of the equal sign pretty straightforward algebra so there is some things that emerge here the ratio of the first frequency to the eighth frequency is 1 Hertz to 1.49 831 Hertz or almost one Herz to 1.5 Hertz if we want to not use decimals we got to double it so two Herz to three Herz so for every two vibrations of the first tone the second tone will vibrate three times show that down here so if we look at the first tone in yellow the frequency is one the eighth tone is 1.49 if we look at an octave down on a 13th Noe or position the frequency is two and a 20th note position which is really the repeat of the original octave so 13 can be thought of as one 14 as two 15 as three so 20 really is so 13 to 20 is once again the first uh first note to the eighth note so we see it 2 to 2.9 which is 2 to three really if two strings are vibrated or two tones are generated with a ratio of 2 to three the human brain perceives this soundx as quite acceptable and this ratio is a fundamental building block for chords in western music when the first tone and eighth tone are played simultaneously it is significant and should be called something like the perfect a the cargo cult can't handle this so they thought of something super original it must be called the perfect fifth this is why Lucifer ISM Satanism the vaccinating praying General mutilating Waring overbreeding clear cutting industrial fishing Mass murdering zombies are in many ways the enemy however nothing can be said or done as they will subjugate or kill anyone who questions the status quo publicly it's 2020 we see this with the covid and the masks how anybody who uh questions why they should wear a mask the tiny minority will either lose their jobs or lose friendships it's going to get more and more intense it's going to get literally existential people will start killing each other in about 10 years they won't know why but it's because we're running minerals and food very simple there's too many people on Earth not enough food how was the zombie horde convinced that the first and eighth tone on the musical skill should be called the perfect fifth by inventing a fiction a stman a Mis a misss labeled a semmit tone it's why they call you a mister in court you're a mist and you're going to contract for a straw man because they don't know where you really are you don't you don't know if you're your hair or your nails cuz you can cut your hair and throw it away and say that's you so you got a contract with with a fiction that's why you never go to court you never understand you tell the cop to stand under you never remain silent when they're leaving you their rights ever don't ever remain silent write contract refused on any court summons if you get arrested write do not write your name on any document they present to you do not remain silent tell them they tell you to do you understand you tell them to stand under and write contract refuse don't ever claim that you have a name refuse all contracts you also observe that when the following pattern of tones is played from a 12 tone exponential logarithmic scale it makes humans happy so if we play the first tones third tone 5 6 8 10 12 this is called a major scale it makes us happy the fallowing pattern makes people sad it's called the minor scale 1 3 4 6 8 11 this is the pattern for most music most songs on radio are minor scale so major scal is 1 3 5 6 8 10 12 and then 13 or one again the octave repeats the minor scale is 1 3 4 6 8 9 11 and on the 13th fret the octave repeats coincidentally as a f function of the universe when the major scal start on a 10th tone it creates a minor scale that is the fundamental property of the universe so we have our 12 12 tone scale the 13th tone and octave so we have two octaves and the 25th tone is the second octave the major scale 1 3 5 6 8 10 12 1 3 5 6 8 10 12 13 5 6 8 10 12 makes us happy minor scale 13 four five 13 4 68 91 makes us sad 13 4 6 8 91 makes us sad I will try to demonstrate this one 3 5 6 8 10 12 1 doesn't matter where we start the pattern 1 3 5 6 8 10 12 1 1 3 5 6 8 10 12 1 it always makes a human being happy just a pattern it's relativistic I'm not going to pull up the piano right now I guess I could but so the major scales 1 3 5 6 8 10 12 no matter where we start on any instrument in the western world that uses the 12 tone scale as its construction the minor scale coincidentally 13 4 68911 13 4 68911 is ingrain into the major scale if we start the major scale in the 10th tone we get the minor scale so what's the point of calling the minor scale 1 3 4 6 8 9 there's no point we call the minor scale the 10 12 1 3 6 8 10 12 1 3 5 6 8 10 12 the minor scale and a major scale now our one and differentiated and sane so the minor scale can be started anywhere it makes people I guess sad 10 12 1 3 5 6 8 and then 10 again the octave 1 10 I mean 10 12 1 3 5 6 8 and then 10 again makes people sad doesn't matter where it start it's the pattern that manipulates the human body we don't know how we don't know why but we know it exists that's why Music Works the 13th tone is the first tone vibrating twice as fast the octave the 14th tone five breeds twice as fast as a second and so on and so forth therefore the pattern can be simplified for clarity so the first octave is divided into 12 tones and then a 13th tone we can call it the number one again because it's really the octave just vibrates twice as fast as the first tone and you know that's the pattern the cargo C realize something five the major scale uses seven tones out of 12 which are available these used tones are relable from 1 to 7even then what logically and realistically is the eighth tone can be deceivingly labeled as a fifth the 2 to3 vibration between the first tone and eighth tone can be called the perfect fifth for Satan conveniently 2 + 3 = 5 for Satan again however doesn't convey what the strings are doing physically to manifest or Kool-Aid Satanism they name the unused tones in the scales as semmit tones now instead of labeling the major scale as a pattern of 1 3 5 6 8 10 10 12 is labeled from 1 to 7 1 2 3 4 5 6 7 so to the minor scale is labeled from 1 to 7 both the major minor scale heaps of confusion label 1 2 3 4 5 6 7 all the label all the scales have been labeled from 1 to 7even forcing an individual to memorize tone and semitone patterns to formulate scales and to remember non-musical Greek words to name scales exceptions and convolutions and lies are the name of the cargo called game to push the ideal G of 5 so in reality the major scale is 13 5 6 8 10 12 13 5 6 8 8 10 12 as we go through the octaves the cargo cult has to call it 1 2 3 4 5 6 7 so the eighth tone becomes the fifth tone and they call 1 2 3 4 5 6 7 the minor scale realistically is 10 12 1 3 5 6 8 10 the cargo C has to call it again 1 2 3 4 5 5 6 7 it's interesting to knowe that the minor scale and all the other scales have the perfect eighth which is in the cargo calls the perfect fifth so the minor scale the 1 2 3 4 5 on the minor scale becomes the in the cargo cult the perfect fifth again if we use the 1012 reality 10121 356 the distance between the 10 and the six excuse me one two three four five the 10 and the five becomes is eight so it's a perfect eight so the minor has a minor it's the perfect eighth which the car calls the perfect fifth anyway instead of labeling the 12 tones alphabetically from a to L they had to use seven letters from A to G so the lies and deceptions were off fiscated the unused tones in between are now labeled as sharps or flats more exceptions pile onto more exceptions and convolutions create an ideology of lies in the sea which takes decades to quote unquote understand and quote unquote Master nobody can Master this insane architecture of uh convolution the satanic Lucifer poison for the human mind once the the foundations of insanity were complete they had to figure out how to write down this brain damage they thought of something five that's right they decided to use five lines as the basis to represent notes on paper in a 12 no reality notice how the beginning symbol is a upside down snake called around itself pretty obvious I'm not sure how these people got into such influential positions but five lines for Satan which you see all the notes the first e which is to the last G on the F on top there it's uh the notes fall out of the five lines just just becomes a meaningless mess of stupid and a fake reality but they weren't done yet they had to invent a machine which made sounds there were two Avenues to take the First Avenue was make a machine which has the least amount of patterns for the human player to memorize when applying the major scale which contains a minor scale as we saw before and most of the other scales all are learned at once make a machine which is easiest to use with human hands and fingers the easiest to play with a given constraints and Necessities it's like making car with four wheels the steering wheel turns to the left the car turns to the left what they did is they it's basically a person is sitting backwards in a car and the steering wheel turns the wheels the opposite way of where it's supposed to go just insane the Second Avenue was five instead of making this a bilinear keyboard where the keys are close and symmetrical Mak it easier to play especially for a woman where only two patterns of the major scale have to be learned with each hand so basically the 1 3 5 6 8 10 12 pattern has to be learned from the white key and then 1 3 5 6 8 10 12 pattern has to be learned from the black key two patterns to make the major scale they made this is for Satan it is called the piano and has five black keys for Satan the way the pattern is set up a player used as a learn 12 patterns of the major scale for both hands making 24 different finger combinations for the basic 1 3 5 6 8 10 12 major scale pattern absolute insanity but sat Satan demands it is a 1 two 3 4 5 six seven pattern so instead of counting the 1 3 5 6 8 10 12 now you can't count you got to memorize things so instead of being able to count keys to make a major scale one has a memorize toone and semi- tone disc distances just totally deranged learning and ing grading and effective movement almost always leads to a failed life it takes decades to be able to play the piano du the ideological architectural ineffectiveness it prevents a lot of women from playing the piano with the ineffective spacing of the keys the spacing of the keys see the spacing between the two white keys totally ineffective this is it's way closer to build a all alternating white black white black white black the distance between it just makes everything more compact for anyone who knows how to play the piano what they are really propagating is ineffectiveness off fication of reality and in essence a jungle order not a new world order and the biosphere ship is sys that it is is being steered and crewed by billions of confused idiots used to be millions of idiots like the Mongols and the Incas and Mayas who are sacrif human beings just humanity is just ranged through and through don't fall for the fake belief that semitones exist now I'll present the musical Theory system based on reality the degenerates of five still haven't be able to subjugate the measure of time and make based on fake number news Humanity still uses six and 12 as the basis for measuring time and this Falls in light with a 12 toone musical scale we start with the basis of one this is what uh Gospel of Thomas speaks about making the two into one if you don't know what that means it's the only real word we have from uh the individual called Jesus Christ and verse 14 is the reason why it's been uh called a fake cuz he uh calls praying a sin going to church a sin and fasting a sin basically any religion that demands praying and fasting or cherish is outlined in verse four as an enemy so makes Christianity the enemy Islam the enemy modern Buddhism the enemy and all organized religions the enemy one vibration every one second is one Hertz we call it A1 second octave two Hertz A2 third octave four Hertz which is A3 so on and so forth to the ninth octave which is 256 Hertz A9 at 256 HZ is very close to their frequency of middle C4 at 2 61.6 Hertz therefore what was label as C4 is now A9 and the perverse meaning naming of notes with Sharps and flats is exchanged with the same label system c is now a C sharp is b d is C dsharp is d e is e f is f those to stay the same so on so forth we get to L 12 notes 12 letters much simpler the word octave signifies OCT which is eight or the eighth tone currently accepted sick musical Theory it is more logical to refer to the concept of octave frequencies as Unison so we label the 12 tones in a Unison from a to L 12 tones 12 letters to label them create symbols for numbers 10 11 and 12 make it 12 12 symbol counting system everything is represented by one symbol which reduces the amount of Errors when interpreting certain charts and when composing music you don't want to be calling the 10th tone or writing down a 10th tone as a one and zero I usually use the ribbon for 10 but I couldn't find a symbol for this presentation which works made it a crown 11 I made a happy face 12 a heart this card Notions of semitone Sharps flats and all relativism discard the names of scales which have no descriptive musical value like ionion so the major scale is called ionian the scale which is started on 3 5 6 8 10 12 1 and it goes back to three it's called the Dorian the scale called five start which starts on the fifth it's 5 6 8 10 12 1 3 and then back to the five it's called frian iian Dorian frian lydian mix mixian aolan is the minor scale so the 10 12 1 3 5 6 8 10 is aolan and lorean is the one that starts on 12 none of these names have any descriptive value or meaning just garbage the minor scale is always 10 12 1 3 5 6 8 10 that way we that way we always know 135 6 8 102 is the major scale and at 1012 1356 86 the 10 12 1 3 5 6 8 scale is always the minor scale we can start on any piano key and count on any guitar fret and count and make a m minor scale and a major scale and then we know that when we start our major scale on that position or key we count 10 12 and one and now we know that our one is the major scale so it's all integrated the blues note is always the fourth note tone the major Triad which is the basic chord is 158 so one one 5 1 it's hard to do it on the guitar I have to count I'll just do this [Music] one that's a major chord we can start it on any key we just have to count 1 2 3 4 5 6 7 8 makes a human being happy P doesn't matter where it started it's just the pattern that the physiology reacts to the Minor triad is a minor chord can be started on any tone any key obviously this is a satanic keyboard here derange sickness let's see 1 2 3 4 B toen minor makes us sad we can start on any key 1 2 3 4 5 6 7 8 that's the minor chord major chord is 158 1 2 3 4 58 notice how it changes the perception basic kindergarten stuff that has been so convoluted sickening major scale 1 2 3 4 5 6 6 7 8 9 10 11 12 1 don't matter where it starts makes us happy 1 2 3 4 5 6 7 8 9 9 10 11 12 1 makes us happy minor scale can be started anywhere makes us sad 10 11 12 1 3 1 2 3 4 5 6 7 8 9 10 Elementary stuff has been perverted and off fiscated so Humanity can't see it so the pentatonic scale which is the blue scale which Blu guitarists use a lot discards a six and 12 tones so the major blue scale is 1358 10 the minor blue scale is 10 1358 pretty simple all right as discussed before there is uh Greek names for the major minor and all the other scales which are completely meaningless so the major scale is called the ionian scale on the very top left corner there 1 3 5 6 8 10 12 that's the pattern the second tone is not used Dorian starts on the third tone of the major scale the pattern is 3 5 6 8 10 12 1 this takes years to learn in uh music school because it's so perverted with their one with their one to seven labeling so that all the scales are called 1 to seven and patterns have to be memorized these patterns have to be then implemented onto the musical instrument it's just a Insanity with with using a 12 tone counting system it just becomes way easier not lying to oneself that the knot on the guitar is the knot it's really the first fret everything falls into place the 13th fret then becomes the octave the whole guitar falls into place and I would never play The Satanic piano I would never learn that garbage so FR starts on the fifth lydian mix of lydian aians the myor scale starts on the 10th tone and then locan starts on the 12th tone and it just follows the major scale pattern so aolan the minor is 10 12 13568 the loan 12 13568 10 and back to 12 another uh way of looking at it visualizing it major scale I 1 3 5 6 8 10 12 notice the Triad of 158 the major cord is embedded into the major scale so this is why music follows certain core patterns say someone writes a song and most songs are written either in major or minor most songs are written in minor but we we'll do the major example here I start a song I I have to follow these patterns for the human brain to call it music it's just the way it works don't have to but it's uh makes pop songs so we play the first chord of Our Song is going to be a major then we want to play another chord if we play the next chord on the third tone it has a 1 148 the purple the 3 to six is a four tones and 6 to 10 is another five tones depends how you count it it's a 148 pattern fridge the next chord we play five the 58 12 so that's how strong songs are structured notice how the sixth and eighth chords have to be major obviously the minor scale has a minor chord embedded in a 148 pattern and locan it's one of the odd ones out it just doesn't have the eight in it I guess the best way to demonstrate this is Major then we have to go to minor for the third minor for the fifth major for the sixth major for the eighth minor for the 10th and then well we can kind of fake it with either a major or a minor for the 12 and we're back on the 13th fret or the 13th position to a major that's how songs are written becomes very easy to make all this happen all right so I guess look the 12 scale is called the diminish scale I'm not going to get into uh augmented and uh diminish chords here it's just a matter of moving one of the tones either way in a chord in a but I will get into the other scales minor scale which we saw is 10 12 13 3 5 6 8 10 the harmonic minor is another scale which the human brain perceives it's played as a 10 12 1 35 69 10 pattern the melodic minor is made as the 10 12 1 3 5 7 9 10 pattern there is one more prominent scale in the western music most nobody using the song title I want you back as recorded by Jackson 5 there's that five again obviously the people who control the Jackson 5 were uh gang bangers it was also utilized in the day I try to live by Sound Garden it is a combination of the minor harmonic minor melodic minor scales and the blues note or tone number four so minor harmonic minor and melodic minor and the blues note when added together create this rare scale and that's this scale is used cleverly in both those songs all right now for musical notation I don't have access to tens of thousands of people to see how we can write down music on sheet of paper which makes it most readable there are a number of ways but I know that just writing line after line after line creates a heap of confusion which doesn't work there needs to be a space between the lines like I showed here how can we represent A9 or what is called middle C right now by Uh current standards I don't know in the top is a pattern of three lines than a space and a line This does differentiate for the brain we write the nodes with the between the space with the line through them but I don't know if that's the best way in the middle I have two different examples on the green note on the left hand side would be say our middle CR or a the next note would be in my notation A B C D E F G H I J K L and then a again or we can start the a in between the two lines I'm not sure what the best way is it looks like I missed the lines in some of these examples but I don't I don't know how I would what's the best way is going forward this would have to be done through research and obviously the status quo would never allow this reality to take hold in any musical School
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